One might have to ascend to heaven to find a lovelier voice than the seraphic Ying Fang’s. She recently answered some questions on Mozart, the ending of Fidelio, and singing in the street.

Christian has made his name as opera’s definitive Devil. He kindly spoke to me about his podcast, his solo album (shh!), and winning a Girl of the Golden Met Award. Read on!

Best Opera: Tosca (Cast C)

Best Soprano: Sondra Radvanovsky

Best Tenor: Freddie De Tommaso…

Nozze is an exquisite confection in every respect, and the Met’s delicious revival this season didn’t skimp on the frosting.

In March, Stephen triumphantly returned to the role of Greenhorn in Moby-Dick. He kindly spoke with me in between shows about Moby-Dick, how the trumpet influenced his singing, and what opera shares with Cirque du Soleil.

The vast sea breathes in gentle, rhythmic swells. Twinkling stars wheel overhead, constellating until they form the whaling ship Pequod. This is the seascape in the overture of Jake Heggie’s monumental Moby-Dick.