Blog
An Interview With Christian Van Horn
Twelve years on from his debut at the Met Opera, bass-baritone Christian Van Horn has made a name for himself as opera’s definitive Devil. Last September, for his fourth performance in Live in HD, he scored another success as not one but all four Villains in Offenbach’s Les Contes d’Hoffmann. He kindly spoke to me about his podcast, his upcoming album (shh!), and winning his first Girl of the Golden Met Award. Read on!
Girl of the Golden Met Awards 2025: Winners!
Choose your favorite performers and opera from the Met Opera's 2024-25 season! Vote by commenting on this blog post, on Instagram, on Facebook, or by voting each day in my Instagram story. Voting closes on Tuesday, June 24th, at 11:59 PM EST.
Highlights of the Met’s 2025-26 Season
The Met’s opening night world premiere is one of only three new operas, marking a departure from the six new operas presented only two seasons ago, and bel canto explodes back onto the stage. I couldn’t choose only five operas to explore here, so we’re expanding to six for this year only.
An Interview With Quinn Kelsey
Quinn Kelsey sang in his first opera, Verdi’s Aida, at 13 years old, as a 1st tenor in the priests’ chorus. 34 years later, he is the king of Verdi baritones and singing the Ethiopian king Amonasro in the Met’s starry new production of Aida.
Girl of the Golden Met Awards 2024
Congratulations to all the winners for triumphing in their highly competitive categories and to all the nominees for their extraordinary performances!
Met Opera 2023-24 Review: Roméo et Juliette
Romeo and Juliet reliably make you swoon and weep, but a truly worthy cast should make the “sweet sorrow” fresh each time. The cast the Met has assembled for Roméo et Juliette blows these and other standards away.
