Blog
An Interview With Christian Van Horn
Twelve years on from his debut at the Met Opera, bass-baritone Christian Van Horn has made a name for himself as opera’s definitive Devil. Last September, for his fourth performance in Live in HD, he scored another success as not one but all four Villains in Offenbach’s Les Contes d’Hoffmann. He kindly spoke to me about his podcast, his upcoming album (shh!), and winning his first Girl of the Golden Met Award. Read on!
An Interview With Stephen Costello
Stephen Costello has been a beloved mainstay at the Met ever since his 2007 debut. 15 years after originating Greenhorn in Jake Heggie's Moby-Dick, he triumphantly returned to the role when Moby-Dick made its Met debut in March. He generously spoke with me in between performances about Moby-Dick, how the trumpet influenced his singing, and what opera shares with Cirque du Soleil. Enjoy!
An Interview With Quinn Kelsey
Quinn Kelsey sang in his first opera, Verdi’s Aida, at 13 years old, as a 1st tenor in the priests’ chorus. 34 years later, he is the king of Verdi baritones and singing the Ethiopian king Amonasro in the Met’s starry new production of Aida.
An Interview With Elena Villalón
Fresh off her critically praised Met Opera debut in Orfeo ed Euridice last spring, Cuban-American soprano Elena Villalón now takes on Osvaldo Golijov’s exhilarating Ainadamar. She kindly took the time to answer some questions in between rehearsals.
An Interview With Sydney Mancasola
In 2019, soprano Sydney Mancasola earned a place in the operatic annals when she headlined the European premiere of Breaking the Waves. She recently spoke with me about that experience, Debussy’s enigmatic Mélisande, and the “thrilling” contemporary opera scene in the US.
An Interview With Erin Morley
Recently, internationally acclaimed coloratura soprano Erin Morley has been piling on triumph after triumph. Erin released her first solo album this April, the floral-themed Rose in Bloom. She kindly spoke to me about her album, feminizing roles, skydiving, and more.
