Blog
An Interview With Christian Van Horn
Twelve years on from his debut at the Met Opera, bass-baritone Christian Van Horn has made a name for himself as opera’s definitive Devil. Last September, for his fourth performance in Live in HD, he scored another success as not one but all four Villains in Offenbach’s Les Contes d’Hoffmann. He kindly spoke to me about his podcast, his upcoming album (shh!), and winning his first Girl of the Golden Met Award. Read on!
Met Opera 2024-25 Review: Le Nozze di Figaro
I have about seven favorite operas, but when pressed to choose one, Le Nozze di Figaro often lands on top. It’s an exquisite confection in every respect, and the Met’s delicious revival this season didn’t skimp on the frosting.
Highlights of the Met’s 2025-26 Season
The Met’s opening night world premiere is one of only three new operas, marking a departure from the six new operas presented only two seasons ago, and bel canto explodes back onto the stage. I couldn’t choose only five operas to explore here, so we’re expanding to six for this year only.
An Interview With Quinn Kelsey
Quinn Kelsey sang in his first opera, Verdi’s Aida, at 13 years old, as a 1st tenor in the priests’ chorus. 34 years later, he is the king of Verdi baritones and singing the Ethiopian king Amonasro in the Met’s starry new production of Aida.
Album Review: Mozart, You Drive Me Crazy!
Golda Schultz’s voice is reminiscent of a vibrant flower opening its petals toward the sun, and Mozart, You Drive Me Crazy! is an exquisitely juicy album from one of the world’s most exquisite sopranos.
Highlights of the Met’s 2024-25 Season
On February 23, the Met Opera announced their 2024-25 season. Notably for nitpicky me, I’m excited for almost everything. It was difficult to choose, but here are the five shows I’m most looking forward to.
