Blog
An Interview With Ying Fang
One might have to ascend to heaven to find a voice more lovely than that of Ying Fang, who possesses the sound of a seraph with the shimmer of a polished pearl. She has firmly established herself as one of the world’s leading Mozartians, and she was kind enough to answer some questions about that, the ending of Fidelio, and singing in the street.
An Interview With Elena Villalón
Fresh off her critically praised Met Opera debut in Orfeo ed Euridice last spring, Cuban-American soprano Elena Villalón now takes on Osvaldo Golijov’s exhilarating Ainadamar. She kindly took the time to answer some questions in between rehearsals.
Girl of the Golden Met Awards 2024
Congratulations to all the winners for triumphing in their highly competitive categories and to all the nominees for their extraordinary performances!
Met Opera 2023-24 Review: Orfeo ed Euridice
The Orpheus myth has probably had more operas made out of it than any other story, but Glück’s baroque masterpiece Orfeo ed Euridice, the most famous of the Orphic operas, is one of the very few with a happy ending.
Met Debuts Left This Season
The Met’s 2023-24 season is coming to an end in just over six weeks, but there are still some artists readying to make their debuts. These are the two sopranos and a conductor that Met audiences will meet very soon.
My 2023-24 Resolutions
What do I want out of this season?
I made a list of my 2023-24 season resolutions, my own operatic version of New Year’s. Here they are, plus my basic wish to have a good time at extraordinary operas. What are your resolutions?
