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An Interview With Ying Fang
Interview Violette Leonard Interview Violette Leonard

An Interview With Ying Fang

One might have to ascend to heaven to find a voice more lovely than that of Ying Fang, who possesses the heavenly sound of a seraph with the shimmer of a polished pearl. She has firmly established herself as one of the world’s leading Mozartians, and she was kind enough to answer some questions about that, the ending of Fidelio, and singing in the street.

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Highlights of the Met’s 2025-26 Season
Violette Leonard Violette Leonard

Highlights of the Met’s 2025-26 Season

The Met’s opening night world premiere is one of only three new operas, marking a departure from the six new operas presented only two seasons ago, and bel canto explodes back onto the stage. I couldn’t choose only five operas to explore here, so we’re expanding to six for this year only.

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Opera Onscreen: Crying and Renée Fleming in Margaret (2011)
Violette Leonard Violette Leonard

Opera Onscreen: Crying and Renée Fleming in Margaret (2011)

My favorite opera scene in film is perhaps the obscurest: Margaret (2011), when Anna Paquin and J. Smith-Cameron attend Les Contes d’Hoffmann starring Renée Fleming and Susan Graham. By the end of the Barcarolle, Paquin’s character has burst in tears and reconciled with her estranged mother.

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